Automatic Mode works its magic in real time (although with 2,660 samples of latency at 44.1kHz in Pro Tools), while Graphical Mode entails recording audio from your track into the plug-in, which then takes over playback of the tracked audio from the host. Auto-Tune''s two modes-Automatic and Graphical-each open their own panes underneath the global settings. By far, the biggest enhancement in Auto-Tune is the addition of Time Correction tools, which allow altering a performance''s timing from within the Graphical interface window. The Auto-Tune 7 GUI hasn''t changed much from Auto-Tune Evo. And I''m certainly not referring to the well-known, wildly overused extreme-setting application, which is, remarkably, well into its second decade of making purists cringe. I''ll skip the philosophical discussion over what that says about both our collective desire for pitch perfection and our inability to obtain it without digital help-many engineers are finding ways to use Auto-Tune (and other pitch-correction software) both to solve problems and create new effects for vocals as well as instruments. That''s right-Antares'' Auto-Tune is the best-selling audio plug-in ever.
0 kommentar(er)
